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Meet Afterlight, a museum from twenty-one twenty-six.

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Ordinary objects become strange little stories, with Sanity holding the
collection and a human curator deciding what goes on display.

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Start with a cassette.

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Rotate the original three-dimensional model, then compare what we can see
with its possible story.

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Observation and imagination stay separate.

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The curator can also upload an image.

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Here, we're using a render of our own cup as the sample upload.

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It stays an image, never a pretend three-dimensional reconstruction.

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With consent, Gemini suggests a title, material, and visible details.

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These are marked unverified.

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They only enter the form when the curator chooses to use them.

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After saving the object to Sanity, we ask A I for a fictional
interpretation.

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We can edit the exhibition label before saving.

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Drafting cannot approve the object or change its observed details.

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Now we submit the draft for review.

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Approval is a separate curator action.

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Only then does the object become part of the public collection.

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Visitors can inspect the image and its story, then follow the recorded
journey from intake through drafting and approval.

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Those decisions live beside the content in Sanity.

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Need another review?

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Give a reason and return the exhibit to draft.

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It leaves the public gallery, while the decision history is retained.

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Explore the collection without signing in.

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Judges can use curator access to try the full workflow.

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Afterlight.

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Small things, long afterlives, and a human final say.